Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts

January 16, 2014

3D printing in Photoshop CC


There's a nice update to Photoshop CC now available as part of Creative Cloud for Designers, with new features also for Illustrator and InDesign. Note that there are new free trials available, if you're not a subscriber.

Please check out the two new AEP resource summaries that were posted on Pro Video Coalition:

Here's demo video of enhancements to the Pencil tool and Path Segment reshape in Illustrator CC and Perspective Warp in Adobe Photoshop CC:




Creative Cloud for Design January 2014

Photoshop, Illustrator, InDesign, and more: resources listed at Pro Video Coalition.

March 22, 2012

Photoshop CS6: public beta resources @PVC

...details many of the resources explaining what's new in the Photoshop CS6  public beta. This PS update looks pretty deep, with a few big new features and many welcome enhancements. There's links at PVC.

March 14, 2011

Fixel LightIT, Contrastica, EdgeHancer + Coloritivity

AE Scripts recently released 3 Pixel Bender plug-ins from Fixel: LightIT, Contrastica, and EdgeHancer. These sorts of image-processing filters are always interesting, though in some cases it's hard to determine advantages over the plethora of filters already built into Adobe tools.

For example, it's not clear how Edgehancer differs from Sharpen Edges unless you give it whirl. Unfortunately there's no trial version. There is a difference though, when you find you want fine control and don't want to mess with a gaggle of procedural masks made with Find Edges and other filters. It is clear that Fixel tools are all 32-bpc, GPU-accelerated, and compatible with both After Effects and Photoshop CS4+.

Below are some descriptions based on the promotional materials, plus a quick demo video below for each filter.

Fixel LightIT is a local color correction plug-in with a novel algorithm that's based on non-linear masking to identify the shadows in the image. LightIT applies an optimized operation for correcting the colors in the shadows regions, without affecting the other tonal ranges.


Fixel Contrastica, which also features a novel algorithm, can enhance and boost local & global contrast. Contrastica enables you to control the contrast all over tonal range (Shadows & Highlights) to reveal hidden details.


Fixel EdgeHancer too uses a novel algorithm, which unlike “classic” sharpeners, emphasizes the edges exclusively instead of increasing the contrast of the surrounding pixels.


Update: Fixel has added another Pixel Bender, Fixel Coloritivity, a 5 way tinting filter.





Update: Topher Welsh gives them a shot in a review at his website,
-- and later Fixel summarizes benefits of their filter in an AEtuts comment, "By default, Adobe chooses the simple way to do things.

Shadows / Highlights – Simple linear masking + Curves.
USM – Apply Gaussian Blur and subtract.
Contrast – Linear Function coefficient.
I can go on… We tried to do things differently with superior method for each solution.

LightIT isn’t linear, hence it creates less “Halos” and has more subtle and natural result.
Contrastica has a special function to add contrast, try its extreme values to see different it is. You can also use it to add saturation to colors very differently from the classic saturation slider.
EdgeHancer uses special Algorithm both for detecting edges and enhancing them. Sharpeners work on the pixels to the right / left of the edge. This one works on the edge itself."

November 12, 2010

Repoussé in After Effects CS5

Chris Meyer has intro videos on the Repousse 3D feature from Photoshop CS5 Extended. He covers this relatively immature feature in both Photoshop and After Effects in his video tutorial series New Creative Techniques at Lynda.com (shown below). Chris also provides a few comments on lights & shadows, nVidia acceleration, and so forth at Todd Kopriva's blog and in Creating Motion Graphics.

Update: see a Shortformvideo tutorial on how to get Fringe-style floating 3D text using Repousse in with AE and PFHoe.



September 29, 2010

Photoshop flick panning and scrubby zoom

Dan Moughamian of Color Trails shows you how to use flick panning and scrubby zoom options in Adobe Photoshop CS5.

August 24, 2010

Targeted Curve Adjustments from a new series on Photoshop

@Colortrails has a new tutorial series on Photoshop called QuickHits. Below is #2 on Targeted Curve Adjustments; the first was on Perspective cropping. Here's Dan Moughamian's summary of #2 from his website:

"I think possibly my favorite feature / concept in all of Photoshop (and Lightroom / ACR) is the Targeted Adjustment concept, because it is both very accurate and FAST. Much faster than prior methods of working with contrast and color. The ability, whether working with HSL, Curves or Hue & Saturation (and hopefully more features in the future like Shadow and Highlight!) to directly target the tones and colors you want to work on, without any guesswork or re-dos, is extremely useful."


Colortrails QuickHit #2: Targeted Curves Adjustment from Colortrails on Vimeo.

July 22, 2010

Unmult for CS5: Pixel Bender 'Alpha from Max Color'

NOTE: this info was updated in July 2014 at PVC in “Unmult” with and without special plug-ins: Unmult, Xmult, channel and matting effects.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A thread on the AE-List noted that free Unmult filters haven't been upgraded for CS5. Unmult creates an alpha channel of a layer based on luminance or brightness, often used instead of the Screen composite mode. You can find background in Creating Motion Graphics by Trish and Chris Meyer and in AE Quicktips #6: Remove Color Matting by Aharon Rabinowitz.

The good news is, as Danny Princz noted, that Pixel Bender Toolkit V2 from Adobe has the replacement for 3rd party unmult filters for CS4+. It will install "Alpha from Max Color" 32-bpc effect under Utility effects menu. It should work in Photoshop too.

But you don't really need a plug-in.

Chris Meyer (steps outlined in bonus tip), Brian Maffitt, and Dennis Wilkins also reminded us of other solutions, for instance the Set Channels effect, with the Use for Matte popup set to Maximum or Luminance, followed by the Remove Color Matting filter, all of which can be saved as an Animation Preset for quick application.

You can find nearly the same recipe from Todd Kopriva (leaning on Trish Meyer) in AE Help: "A way to get the same result as the Knoll Unmult plug-in using the effects built into After Effects is to use the Channel Combiner effect, with Max RGB as the From value and Alpha Only as the To value, and then apply the Remove Color Matting effect."

See also Motion Graphics Exchange Removing black or white from layer/footage, deMult/unMult.

Update: Jeff Almasol from the AE team added "FYI, the AE CS5 installation also includes the Pixel Bender Toolkit 2 component. To get Alpha from Max Color and other samples to appear in AE CS5, launch Pixel Bender Toolkit 2 once, then relaunch AE." (You can double-click a .pbk file to launch)

Also, Red Giant followed up quickly with Knoll Unmult: free AE filter.

June 14, 2010

Little things in Photoshop CS5

In All the Little Things, Julieanne Kost covers all those little features in Adobe Photoshop CS5 that may get overlooked.

June 8, 2010

Lightroom 3 released

Adobe Lightroom 3 has been released; see details at Lightroom Journal and John Nack's blog.

There are a number of podcasts and other resources available through Adobe Education Technologies, and a series of in-depth tutorials by Julieanne Kost, Getting Started with Adobe Photoshop Lightroom 3. Here's the intro:



Update: Peachpit has a big Welcome to Lightroom 3, with many videos from Rafael "RC" Concepcion.

June 1, 2010

New Video Actions for Photoshop

Richard Harrington has posted some New Video Actions for Photoshop, which should be useful for some After Effects users.

The Richard Harrington blog is very active with various resources and referrals. It seems to be his main venue now along with his Photoshop for Video blog and and his Creative COW Photoshop for Video podcast.

May 18, 2010

New Camera RAW features in CS5 + RAW B&W

In her new podcast, New Camera RAW features in CS5, Julieanne Kost goes over refinements and enhancements like noise reduction and image sharpening in the latest version of Adobe Camera RAW. Scott Kelby also discussed the new Camera Raw Process Version at NAPP.



Also: at TipSquirrel Justin Seeley has a video overview of the new CR, and a Photoshop Quicktip showing why Camera RAW is well-suited for creating black & white photos.

RAW Black & Whites from Justin Seeley on Vimeo.

May 5, 2010

Gimp Resynthesizer vs Photoshop Content-Aware Fill

As noted earlier, some of the features of Photoshop CS5 are available in the free open source app GIMP. Content-Aware Scale is called Liquid Rescale in GIMP, while Content-Aware Fill is called ReSynthesizer in Gimp. For a few details on these implementations, see More free Photoshop with Content-Aware Scale with the GIMP at Blender 3D Architect.

Even with GIMPshop to reorganize menus, GIMP would take some getting used to, but at least there are options for most platforms.

Today Slashdot and Viz World noted the blog of Portugeuse language website Ultradownloads that shows often decent if different results from both approaches testing several images. There are also YouTube videos of Liquid Rescale (aka seam carving) and Resynthesizer in action in GIMP. Here's an example from Ultradownloads:

April 27, 2010

Lens Correction in Camera Raw, Lightroom, + Photoshop CS5

Lightroom Journal, a blog from the Lightroom team, has new information from Tom Hogarty in Preview of Lens Correction Solution for Camera Raw 6 and Lightroom 3:

"Below is a preview of lens correction technology that will be included in Lightroom 3 and the Camera Raw 6 plug-in that's part of Photoshop CS5. This is an exciting development for our non-destructive editing technology and is designed to address lens correction via two methods: Lens Profiles and Manual Correction. The easiest application of lens correction is to apply the lens profile technology that encompasses geometric distortion(barrel and pincushion distortion), chromatic aberration and lens vignetting characteristics."

Read more... at the Lightroom blog. By the way,
Photoshop CS5 will need to be updated after install for Camera Raw 6.1.

For more info, CS5 Help is live. Here's the preview of CR and LR lens correction along with a look at the Lens Correction tool in Photoshop CS5:



April 22, 2010

Photoshop CS5 Content Aware Healing Brush


Janine Smith on Tip Squirrel has a nice post on the Photoshop CS5 Content Aware Healing Brush, a new option in the Spot Healing Brush. The picture shown above took 30 seconds of work:

"In a way, Content Aware Healing brush is Content Aware Fill’s little brother. Not the brainier, scrawny little brother, just smaller. If Content Aware Fill is the Army, taking out unwanted big areas in a single (or double, or triple) bound, the Content Aware Healing Brush (CAHB) is Special Forces, conducting specialized operations in tight places where Content Aware Fill (CAF) might not work so well.

Even in more concentrated areas that CAF works in just fine, CAHB is just easier simply because instead of repeatedly selecting and bringing up the fill dialog is replaced by marking the area you wish to heal – cutting down the amount of steps you repeat to complete a process saves you what? It saves you time. Again with the time! But, remember, time savings is my #1 reason for loving Photoshop CS5! Sometimes, on the other hand, CAHB might take a couple more steps, but the result is worth it.


Also, check out Content Aware Healing at NAPP's PS CS5 Learning Center which compares the new option with the older Spot Healing options. Here's another take from Martin Evening and Focal Press, Photoshop CS5 Content-Aware Spotting and Filling:



Update: Scott Valentine has some Content-Aware Power Tips for Photoshop CS5.

April 21, 2010

Photoshop CS5 tutorials from Russell Brown

Russell Brown has some 8 new Photoshop CS5 tutorials, with PS Extended tutorials coming soon. These come via John Nack but you may as well go the source, The Russell Brown Show. Here's a sample on Content Aware Fill now on Adobe TV:

April 20, 2010

Photoshop CS5 Refine Edge enhancements + overview

In a new podcast, Adobe's Terry White demos Edge Detection and Decontaminate Colors in Refine Edge in Photoshop CS5. These features, also in Refine Mask, are akin to ones in the new Refine Matte in After Effects CS5 (see the Mark Christiansen explanation free at Lynda.com).

See also White's 45-minute Overview in the Adobe TV Photoshop CS5 Feature Tour.




April 13, 2010

Photoshop CS5's new brush engine

John Nack noted a new video by Julieanne Kost on Photoshop CS5's new brush engine, with natural media bristle tips and extras like an in-context color picker. The rapidly proliferating pool of Photoshop CS5 was touched upon in Photoshop CS5 resources + GIMP.

April 12, 2010

Photoshop CS5 resources + GIMP

[Update: Photoshop product manager John Nack has more info and references in CS5 is Alive!, and later Dave Howe adds more Links to CS5 Coverage. See also Fxguide's Photoshop CS5 : New HDR imaging & Content Aware Functions.]

Adobe TV's Photoshop CS5 Feature Tour is already heavy with intro movies and includes Russell Brown's Top 5 Photoshop CS5 Features.




Lynda.com is filling out its intros; see Adobe Creative Suite 5 new features training previews. Here's Chris Meyer on Repoussé in Photoshop CS5 for AE:




NAPP’s Photoshop CS5 Learning Center also hits the ground running.


Some of the features of Photoshop CS5 are available in the free open source app GIMP. Content-Aware Scale is called Liquid Rescale in GIMP , while Content-Aware Fill is called ReSynthesizer in Gimp. For a few details on these implementations, see More free Photoshop with Content-Aware Scale with the GIMP at Blender 3D Architect. Even with GIMPshop to reorganize menus, GIMP would take some getting used to.

April 2, 2010

Another Photoshop CS5 sneak peek: Puppet Warp

Russell Brown has posted a new demonstration of the Puppet Warp technology being developed for Photoshop. John Nack has a few more comments at his blog [also]. Here's the older demo too: