Oliver also links to the recent outline of RED post production paths by RED's Ted Schilowitz, Simple Post Production Options for RED ONE. Ted demonstrated Shooting with the RED ONE Digital Cinema Camera in a movie posted last October on MacVideo. For a bit of a reality check, see Matthew Jeppsen's On Set with Red: A Weary AC’s Rant.
Similar tips were by posted last week by Mark Christiansen in 5 Tips to Maintain Sanity in RED Post; more RED info can be found through these posts.
Update: There's a thread on Oliver's article on FinalCutPro-L.
Update 2: Mark Christiansen has another tip, Apply Color Adjustments to RED QuickTimes, for when colors are not quite right working natively with QuickTime files linked to R3D files.