The 'Plants' episode from the BBC nature series, Life (with David Attenborough), features a making-of segment that shows a 2-year timelapse of plant growth that is composited in After Effects (via @tomguilmette). Here's that segment and a preview that discusses how other state-of-the-art techniques help capture extraordinary images:
Update 2: According to the NY Times the Military Is Awash in Data From Drones. Newer drones are expected to record 10 directions at once, and many more in the near future, which should encourage research into storage, metadata, and organization.
The comments on this article go farther and discuss strategy and examples, like videos by Say It Visually! and Common Craft, who explained Google Docs in 2007:
If you're interested in the idea of a shooting video with a DSLR camera but follow the developments sporadically, Oliver Peters has a meaty illustrated overview of one camera in Canon EOS 5D Mark II in the real world.
His other recent posts have provided good coverage of FCP plug-ins and more.
MotionDSP has shut down FixMyMovie.com (mentioned 2 years ago in AEP post Video enhancement for web movies) in favor of standalone software vReveal, $49 video enhancement software for Windows consumers. vReveal helps heal video that is shaky, dark, noisy, pixelated, or blurry. They have some demos that show stabilizing and basic tonal correction, and a 30-day trial version to see for yourself. It's hard to tell what can't be done in After Effects (even with the poor scaling in AE), but vReveal seems easy, and fast since it's CUDA-enabled.
MotionDSP says that their software "dramatically improves video from a wide range of sources -- from mobile phones to surveillance cameras." Better quality can be had in the more expensive & patented multi-frame video enhancement technology available in Ikena, their $7,000 video forensic solution. Background on MotionDSP can be found in last Saturday's The New York Times: Those Big Bright Eyes May Soon Be Brighter. (h/t to Carl Grunbaum)
Lone wolf feature requests haven't led to improved videosyncracy enhancements inside AE & Premiere -- made here since before Algolith AE filters came and went -- but it might still be worth a try since Adobe has a powerful research unit.
"MotionDSP has licensed MediaLooks’ QuickTime Source DirectShow Filter for one of its products. MotionDSP is a privately held company backed by NVIDIA and In-Q-Tel, headquartered in San Mateo, California."
CasparCG is a free open source Flash-based video app that is being used in Swedish national TV broadcasts for lower-third name signs, election results, game show scores, and channel idents. Still unseen here at AEP, the website describes it as an app that can play common movie formats, with alpha, as well as both SWF’s and FLV’s, in realtime as your hardware allows.
Broadcasting live video from a cellular phone seems like it'll hit big soon. Someone did live podcasting from a Flash conference last year with a Nokia device I think, but I lost the reference and froze perhaps in fear of being Scobilized.
Now the LA Times is reporting on investments in Qik, "a service which is championed by celebrity technology blogger Robert Scoble, has gained in popularity particularly as it adds new features such as integration with Twitter, YouTube, Mogulus, MySpace, Orkut and Justin.tv. Qik is used by a wide array of users, called Qikkers, including both professional and citizen journalists." The video below is from Qik (on "jailbroken" iPhone support); Beet.TV has an interview with a Qik rep.
Similar services include the Silverlight-oriented Livecast (was Pocketcaster) and Flixwagon, which is covering Nokia and like Qik "jailbroken" iPhones.
Update: Poynter Online reports that the Washington Post and Newsweek started posting live video reports via phone during the Democratic Convention. A Post rep told Beet.TV, "We will be using cell phones equipped with a live streaming application from Comet Technologies," and built complete TV studios at the conventions for continuous coverage from reporters and blogging guests.
This should change with more smart phones, like iPhone 3.0.
Trish & Chris Meyer are posting their library of tutorials on After Effects and video onto their ProVideo Coalition blogs: Creating Motion Graphics and CMG Keyframes. The latest ones debunk common misconceptions on field dominance, field rendering, and time code; others clarify luminance, float, aspect ratios, and more.