Prolost follows up on the challenging article on Digital Cinema Dynamic Range with a well-illustrated discussion on getting the correct exposure for a scene. See Exposing to the Left vs. Exposing to the Right, and as usual don't miss the comments.Prolost follows up on the challenging article on Digital Cinema Dynamic Range with a well-illustrated discussion on getting the correct exposure for a scene. See Exposing to the Left vs. Exposing to the Right, and as usual don't miss the comments.
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